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Elihu Duayer is a new member from Rio de Janeiro. Elihu has been working for major Brazilian magazines since the 1980s.Perhaps not surprisingly, if you consider both Brazil’s ecological riches and its economic growth, several of his cartoons and illustrations concentrate on environmental issues. His “Prison City”, “Amazonian Eden”, and his portrait of unionist and environmental activist Chico Mendes all are good examples. Again other drawings deal with topics like generational misunderstandings, racism, and new technologies. I am sure that Elihu also does simple gag cartoons though – after all he has been working for MAD magazine.
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]]>Nikola Angelkoski is a new member from Skopje. Most of his works depict Macedonian celebrities so I can’t say too much about resemblance. What I thought was interesting about them is their variety of styles. The only constant feature is Nikola’s reliance on pens and pencils instead of computers. There are some portraits done in pencils and some in red chalk. Some are very losely sketched in ink (here & here) while again others are meticulously cross-hatched or (I think) done in drypoint. I especially like the somewhat old-fashioned character of works such as this portrait of Macedonian revolutionary Goce Delčev.
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Introducing…
Álvaro Cabral is from Porto Alegre, Brazil. His avatar has a Dürer-esque quality to it that I like very much. He did a similar thing in this portrait of architect Oscar Niemeyer. Some of his caricatures are standard fare – they’re not bad at all, but, well, I am looking at caricatures of Pope Benedict XVI. on a daily basis. Others, however, display interesting ways of distortion and composition (this caricature of adipose Brazilian singer Ed Motta), stunning plasticity (this one of football player Dunga) and nice little details (the shadow that turns the portrait of Hugo Chavez into a flying bust).
Jacek Piotrowski, Jaski for short, is based in Luzern, Switzerland. Most of his works are caption-based cartoons with nice, lightly sketched lines. Some of them form a series of cartoons on marketing and management (e.g. this one, this one, and this one). The soul-patched, pony-tailed main character alone gives me the creeps. Other cartoons by Jaski feature suicidal parrots, are hard to understand because they use Swiss dialect, or defy comprehensibility altogether despite their English caption (I like the driven expression in the chicken’s eyes, though).
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]]>Goran Marcovic is a new member from Serbia. The works he has uploaded so far are captionless, manually colored drawings. Looking at the woman in this cartoon on cellphones or the stacked guys in this one on public speaking (?) you can’t help noticing Goran’s eye for posture. The one the varied content of newspapers also demonstrates his inventiveness and sense for interesting perspective. While you are at it, you can also look at his two drawings on gambling (1,2) and the one with the thorny window.
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Kifah Al Reefi grew up in Iraq and now resides in Amsterdam. He uses very simple color gradients for his cartoons that would seem a bit dated if they didn’t work so well (look at these two, for example). So far, his cartoons mostly deal with the big topics – war, peace, freedom and terrorism. I liked the symmetry of this one, the hypnotic cross-hatching in this one, and the overall design and sickish green background of this one.
Massachusetts-based Jeremy Billadeau works in a field of cartooning hardly found on toonpool.com. His “Skipper”, although technically a webcomic, is actually a classic American newspaper strip. The stories about the be-hatted title character and his friends (a rat and a squirrel) come in different formats: single or three-panel cartoons for weekdays, a larger format for Sundays. One of the Sunday strips has a nice shout-out to Bill Watterson’s Calvin and Hobbes. I think this is an interesting format and I would be glad if more “newspaper strip artists” would present their work on toonpool.com.
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PS: Another cartoon by Rex – the one with the marriage counselor – was a very close contestant.
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Sascha Dörp, AKA Schoolpeppers, is a new member from Cologne. His single-panel cartoons are in German, but most of them work in translation as well. The cartoons frequently are a bit on the dark and/or scatological side, just look at this one, this one and this one. He does, however, also do more family friendly stuff like this one on the early 1990s or this one starring recurring character Beppo the Clown. Besides Beppo, there are a couple of other regular characters like Count Dracula, Ernst Stavro Blofeld, and a guy who farts. Count me out on the fart jokes, but I really like some of the other stuff.B
Lluis Fuzzhound is from Melbourne, Australia. He owes a lot to artists like MAD-Magazine’s Basil Wolverton and Harvey Kurtzman or hot-rod fanatic Ed Roth. In fact he even included a shout-out to Roth (for reference, look at the Roth piece on Birthday Party’s amazing “Junkyard”. They are from Melbourne, too). The silkscreen-print look to this illustration alone demonstrates Mr. Fuzzhound’s superb artistic skills and his proclivity towards vintage styles. Among others, I enjoyed his comment on the love for underage sheep, his New Yorker-style cartoons, and this one about a talkative orifice.
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Sting One (born Alberto Sting Russo) is a “digital” caricaturist living in Lausanne, Switzerland. Apart from actually achieving a likeness to the portrait’s subject – a talent not as widespread among caricaturists as one might think – Alberto also has some other talents I would like to point out. First of all, he chooses poses and backdrops that differ from your standard caricature. This might just be a talent for choosing the right reference photos, but it stillmakes a difference. Take, for example the light in McQueen’s eyes & the garage backdrop in Miss Tyler‘s portrait. Second, there’s a feel for the right amount of distortion – look at Bruce Campbell‘s neck. Finally, there is also a certain sense of humor that shows in Hulk Hogan‘s shirt.
Ruben Arutchyan is a new toonpool.com member from Yerevan, Armenia. The most striking thing about his drawings is his use of lines – lok at these three cartoons, for example. He also did this nice redecorating Napoléon and – dismissing his trademark lines – this mysterious painting. A third approach of his is this minimalist line drawing. Not as hypnotic as the other ones but similarly effective. I only wish he would choose actual names for his cartoons rather than just numbering them.
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